French Painter, 1699-1749 was a French painter, active during the late-Baroque and early-Neoclassic period, mainly in Italy. Subleyras was born in Saint-Gilles-du-Gard, France. He left France in 1728, having carried off the French Academy's grand prix, which carried scholarship for study in Rome. In Rome, he painted for the Elector of Saxony, Frederick Christian, a "Christ's Visit to the House of Simon the Pharisee" , (later engraved by Subleyras himself), this work procured his admission into the famed Roman artists guild, Accademia di San Luca. Cardinal Valenti Gonzaga next obtained for him the order for Saint Basil & Emperor Valens (also known as the Mass of St. Basil , which was executed in mosaic for St Peter's. Another masterpiece is his painting of St. Camillo De Lellis coming to the rescue of the diseased at the hospital of the Holy Spirit He was a remarkably incisive portraitist, as evident from the portrait of Pope Benedict XIV or of the obese Cardinal Valenti Gonzaga . The pope himself commanded two great paintings, the "Marriage of St Catherine" and the "Ecstasy of St Camilla", which he placed in his own private apartments. Subleyras shows greater individuality in his curious genre pictures, which he produced in considerable number (Louvre).  Related Paintings of SUBLEYRAS, Pierre :. | Don Cesare Benvenuti af | The Meal in the House of Simon (san 05) | La Courtisane amoureuse. D'aprs un conte de Jean de la Fontaine | The Marriage of St Catherine r | Mass of St Basil at |
Related Artists:
Agustin Riancho Y Gomez De Porras
Spanish , Entrambasmestas, Cantabria 1841 - Ontaneda, Cantabria 1929.
Pollaiuolo, Jacopo
Approx. 1441-1496 Painter, brother of Antonio Pollaiuolo. He was described as a painter in the membership records of the Compagnia di S Luca, which he joined in 1472. According to tradition, he initially trained under Andrea del Castagno. In his 1480 tax return Piero reported that he had a small house adjoining the family home '...which I use when I have painting to do'. He produced many paintings for the Florentine workshop,
Wouter Johannes van Troostwijk
1782-1810 Dutch Wouter Johannes van Troostwijk Gallery Dutch painter, draughtsman and etcher. In 1803 he was admitted to the Amsterdam Tekenacademie where he was a pupil of the director, Jurriaan Andriessen. Despite a highly successful student career that culminated in a gold medal from the Felix Meritis Society in 1807, he was unable to establish himself as a professional artist during the remainder of his very short working life in Amsterdam. Andriessen's studies from nature seem to have been an important influence; van Troostwijk was one of the earliest artists to paint en plein air. Although he looked back to 17th-century Dutch landscape art and to the work of his contemporaries, in such paintings as Landscape in Gelderland (c. 1808; Amsterdam, Rijksmus.; see NETHERLANDS, THE, fig. 21) he achieved a totally new lyricism in the rendering of atmospheric effects. The Raampoortje (1809; Amsterdam, Rijksmus.) displays a fresh colouristic touch rare in Dutch painting of this period. His Self-portrait (c. 1810; Amsterdam, Rijksmus.) is equally original in composition and colour. He also produced animal paintings in the manner of Paulus Potter, drawings and a few etchings towards the end of his life. Van Troostwijk died before his considerable talents could be recognized, and, although he has come to be seen as an important precursor of much late 19th-century Dutch painting, he had little influence on his immediate successors.